Pigs Pigs Pigs Pigs Pigs Pigs Pigs at the Tractor Tavern

Newcastle upon Tyne stoner metal behemoth Pigs Pigs Pigs Pigs Pigs Pigs Pigs (henceforth referred to as ‘Pigs x7’) partnered with lo-fi fuzz pop garagesters The Paranoyds for an evening of good loud fun at Ballard’s venerable Tractor Tavern earlier this week. The somewhat unlikely English metal act took the stage to the made to order klaxon call of AC/DC’s ‘For Those About to Rock’, which was an appropriate foreshadowing of the din that was to follow. I’ve heard plenty of truly LOUD metal bands over the years but never anything that approached the sheer air moving, floor shaking impact of Pigs x7 at the Tractor.

The band drew heavily from their most recent release, ‘Death Hilarious’, opening with the punishing, repetitive riffs of ‘The Wyrm’ before transitioning into an innervating Black Sabbath meets Melvins workout after the song’s first bridge. Pigs x7 aren’t shy about acknowledging their allegiance to Sabbath, cramming the bulk of their tunes with Tony Iommi style drop tuned sledgehammer riffs and a substrate rattling bass that would make Geezer Butler green with envy.

While the entire Pigs x7 crew is top notch and worthy of note, frontman Matthew Baty is the band’s visual focus and an absolute marvel of non-stop fist pumping physical activity and enthusiasm. He reminds me a lot of Idles’ front guy Joe Talbot, but where Idles leans punk and seems to draw from hardcore and noise influences, Pigs x7 is all about the Sabbath.

The Paranoyds set the table for Pigs x7 with a fun and upbeat set of garage-ish guitar rock. Their comparatively breezy (and somewhat quieter) performance paired nicely with the headliner, and they were rewarded with a warm and appreciative response from the capacity audience.

Photos: Less Than Jake w/the Suicide Machines, Fishbone & Catbite @ Showbox SoDo

Less Than Jake w/the Suicide Machines, Fishbone & Catbite @ Showbox SoDo – 8/5/25
Photos by Charitie Myers

Less Than Jake celebrated the last few months with a tour called Summer Circus. The tour, which invited fans to meet them at the Big Top, gave audience members a circus-themed show, which included a clown. Okay, if you’re scared of clowns you can continuing reading. It’s safe now. The show’s setlist might have given many fans a first live listen to “Brand New,” a track from 2024’s Uncharted. The EP is just the second they’ve released with Pure Noise Records, where, along with bands such as State Champs, they’re a main attraction (sorry for the pun). Along for the ride was the Suicide Machines, Fishbone, and Catbite. Suicide Machines fans: they’ll return to Seattle on January 10th to play the Showbox.

Less Than Jake – photos by Charitie Myers

The Suicide Machines – photos by Charitie Myers

Fishbone – photos by Charitie Myers

Catbite – photos by Charitie Myers

Black Happy thrills crowd in triumphant return after 7-year hiatus.

Black Happy performs live before a packed house at The Showbox in Seattle, Wa.

A little older and grayer, but Black Happy still rocks Seattle like they did 30 years ago. Fans both old and young packed into The Showbox for two amazing nights. The eight-piece band masterfully played numerous hits from their two albums (now available on vinyl), as well as debuting some new works.

Opening for Black Happy were two of Seattle’s finest: Linda From Work, one of the city’s best active bands, and Medicine Hat, the psychedelic rockers who haven’t opened for Black Happy in 30 years.

For the first night of Black Happy’s back to back reunion shows, Linda From Work took the stage.

Night two of Black Happy’s reunion shows started with a performance from old-school psych rockers Medicine Hat.

Medicine Hat profaning  for the second night of Black Happy's reunion shows.

No Guts, No Glory: Iggy Conquers the Park

ggy Pop’s recent performance at Marymoor Park was a blistering, high-energy affair that reaffirmed his status as the godfather of punk. Drawing from a deep well of classics, the setlist was a dream for any fan of raw, unadulterated rock and roll.

Kicking off with the ferocious one-two punch of “T.V. Eye” and “Raw Power,” Iggy and his band set a relentless pace that rarely let up. The crowd was treated to a non-stop barrage of iconic tracks, including the anthemic “The Passenger” and the gleefully nihilistic “Lust for Life.” The inclusion of Stooges’ essentials like “I Wanna Be Your Dog,” “Search and Destroy,” and “Gimme Danger” was a visceral reminder of the band’s enduring influence.

Even deeper cuts like “Death Trip,” “Down on the Street” and “1970” were delivered with a primal energy that defied the years. By the time the night ended with a raucous cover of “Louie Louie,” it was clear that Iggy Pop remains an untamed and vital force of nature on stage. This was a concert that was less a trip down memory lane and more a powerful testament to the timeless, aggressive spirit of punk rock.

Photos: The Marias @ WaMu Thater

The Marinas perform at the WaMu Theater in Seattle, WA

The Marías enveloped WaMu Theater in a hypnotic haze, their signature blend of psychedelic soul and dream pop creating a truly cinematic and sensual experience. Lead singer María Zardoya’s velvety, bilingual vocals were mesmerizing, making the large venue feel as intimate as a secret, smoke-filled lounge.

Opening the show was California’s Julie, who submerged the theater in a formidable and blistering wave of heavy shoegaze.

California shoegaze band Julie performs at the WaMu Theater in Seattle, Wa.
California shoegaze band Julie opens for The Marinas at the WaMu Theater in Seattle, Wa.